An artist, an inventor and a visionary, Panamarenko has conducted an exceptional long-term research on concepts such as space, movement, flying, energy and gravity. His work is a combination of an artistic insight and a technological experimentation.
As an introduction to his practice M HKA has mapped out almost his entire oeuvre in a chronologically and thematicly structured digital platform. M HKA would like to share the gathered information further with the public. Welcome to the digital archive!

Fixed - Wings & Zeppelins

(c)image: Panamarenko Archive
Umbilly I, 1976
Collection Technische Universiteit, Eindhoven
Object , 238 x 440 x 222 cm
steel, wood, tin, plastic, Japanese paper, rubber, glass fibre, epoxy, nylon

"The crazy thing about these wings is that the first beat yields no power, it's just lost air, but the second beat is much more efficient, because the coming air from the first beat is immediately flapped away, and then, yeah, you're off!" - Panamarenko

This sculpture is an improved version of the Meganeudons and Chisto's that Panamarenko begins developing in the early 1970s.  With the Umbilly, he attempts to further perfect the vibratory mechanism of insect wings.  The fixed-wings of the Meganeudons become replaced by moving wings and, just like the Chisto, the Umbilly too is provided with a spring-element attached to a makrolon polycarbonate frame.  Despite the adaptations, the basic principle remained the same.

'The Umbilly I is really only a 'regular' Meganeudon to which I happened to give the name Umbilly. As to the principle, it's just an insect with vibrating wings, but then more sophisticated.  As energy source to drive the wings, Panamarenko opts for human power.  If you'd use a heavy Volkswagen engine, the whole thing would just tear apart.  But if you set things in motion by pedaling, then you have a much better understanding of what's happening or should happen. With a motor, you don't get this kind of information because it just keeps turning...' - Panamarenko

(source: Hans Willemse and Paul Morrens, in: 'Copyright Panamarenko', 2005)